antimusic

简明释义

英[/ˌæntiˈmjuːzɪk/]美[/ˌæntiˈmjuːzɪk/]

与现存的不同的音乐

英英释义

单词用法

同义词

反义词

例句

1.The study of Mozi's "Antimusic" thought requires firstly to define the scope of Mozi's "Antimusic".

研究墨子“非乐”思想，首先应该考察墨子“非乐”的范围。

2.The study of Mozi's "Antimusic" thought requires firstly to define the scope of Mozi's "Antimusic".

研究墨子“非乐”思想，首先应该考察墨子“非乐”的范围。

3.Many fans appreciate how the band incorporates antimusic 反音乐 elements into their live performances.

许多粉丝欣赏这支乐队在现场表演中融入了反音乐 元素。

4.Critics argue that some modern art pieces are essentially forms of antimusic 反音乐 that reject conventional structure.

评论家们认为一些现代艺术作品本质上是拒绝传统结构的反音乐 形式。

5.In his new project, he aims to create a soundscape that embodies antimusic 反音乐 principles.

在他的最新项目中，他旨在创造一个体现反音乐 原则的声音景观。

6.The artist's latest album is a bold experiment in antimusic 反音乐, challenging traditional notions of melody and harmony.

这位艺术家的最新专辑是一场对反音乐 抗拒传统旋律与和声概念的大胆实验。

7.The concept of antimusic 反音乐 can be seen in various avant-garde genres.

在各种前卫音乐风格中可以看到反音乐 的概念。

作文

In the vast realm of music, we often find ourselves surrounded by melodies that evoke emotions, tell stories, and create a sense of connection. However, there exists a contrasting concept known as antimusic, which challenges the traditional notions of what music is supposed to be. Antimusic can be defined as a form of sound or composition that deliberately subverts musical conventions, creating an experience that may be dissonant, chaotic, or even unsettling. This essay aims to explore the nature of antimusic and its significance in the contemporary music landscape.To begin with, antimusic often incorporates elements that are intentionally jarring or discordant. Unlike conventional music that follows established structures such as harmony, rhythm, and melody, antimusic embraces disarray. For instance, avant-garde composers like John Cage and Karlheinz Stockhausen have experimented with sounds that challenge listeners' expectations. Cage's famous piece '4'33''', where musicians remain silent for four minutes and thirty-three seconds, forces audiences to confront the ambient noises around them, thus redefining what can be considered music. In this context, antimusic serves as a powerful tool for artistic expression, pushing the boundaries of sound and encouraging listeners to rethink their perceptions of music.Moreover, antimusic plays a crucial role in various modern art movements. It is often associated with genres such as noise music, punk rock, and experimental electronic music, where artists seek to break free from the constraints of traditional musical forms. In these genres, the use of unconventional instruments, found sounds, and abrasive textures creates an auditory experience that can be both challenging and liberating. For example, bands like Sonic Youth and artists like Merzbow have embraced antimusic to convey themes of alienation and chaos, reflecting the complexities of contemporary life. Through their work, they invite listeners to engage with sound in a way that is not merely about enjoyment but also about confrontation and reflection.Furthermore, antimusic can be seen as a commentary on the commercialization of music in today's society. As mainstream music often prioritizes catchy hooks and polished production, antimusic offers an alternative that resists commodification. By rejecting the formulas of popular music, artists who create antimusic encourage audiences to appreciate the rawness and authenticity of sound. This rejection of commercial norms can be empowering for both creators and listeners, fostering a sense of community among those who seek deeper connections through unconventional means.In conclusion, antimusic represents a significant and thought-provoking aspect of the musical landscape. By challenging traditional definitions and embracing dissonance, it opens up new avenues for artistic exploration and expression. Whether through avant-garde compositions or experimental genres, antimusic invites us to listen differently, to question our assumptions, and to appreciate the myriad ways in which sound can resonate with our experiences. As we continue to navigate the evolving world of music, it is essential to recognize the value of antimusic as a vital component of artistic innovation and cultural discourse.

在音乐的广阔领域中，我们常常被旋律所包围，这些旋律唤起情感，讲述故事，并创造一种联系感。然而，存在着一个对立的概念，被称为反音乐，它挑战了传统音乐应该是什么的观念。反音乐可以定义为一种故意颠覆音乐惯例的声音或作品，创造出一种可能是刺耳、混乱甚至令人不安的体验。本文旨在探讨反音乐的本质及其在当代音乐中的重要性。首先，反音乐通常包含故意令人不悦或不和谐的元素。与遵循和声、节奏和旋律等既定结构的传统音乐不同，反音乐拥抱无序。例如，先锋作曲家约翰·凯奇和卡尔海因茨·斯托克豪森实验了一些声音，挑战听众的期望。凯奇著名的作品《4'33''》，乐手在四分三十秒内保持沉默，迫使观众面对周围的环境噪音，从而重新定义什么可以被视为音乐。在这种情况下，反音乐作为一种艺术表达的有力工具，推动了声音的边界，鼓励听众重新思考他们对音乐的看法。此外，反音乐在各种现代艺术运动中扮演着重要角色。它通常与噪音音乐、朋克摇滚和实验电子音乐等流派相关联，在这些流派中，艺术家寻求打破传统音乐形式的束缚。在这些流派中，使用非常规乐器、找到的声音和刺耳的质感创造了一种听觉体验，这种体验既具挑战性又具解放感。例如，像Sonic Youth这样的乐队和像Merzbow这样的艺术家采用反音乐来传达疏离和混乱的主题，反映当代生活的复杂性。通过他们的作品，他们邀请听众以一种不仅仅是享受，而是面对和反思的方式来参与声音。此外，反音乐还可以被视为对当今社会音乐商业化的评论。由于主流音乐往往优先考虑朗朗上口的旋律和精致的制作，反音乐提供了一种抵制商品化的替代方案。通过拒绝流行音乐的公式，创作反音乐的艺术家鼓励观众欣赏声音的原始性和真实性。这种对商业规范的拒绝对创作者和听众来说都是一种赋权，培养了那些通过非常规手段寻求更深连接的人的社区感。总之，反音乐代表了音乐领域中一个重要而发人深省的方面。通过挑战传统定义并拥抱不和谐，它为艺术探索和表达开辟了新的途径。无论是通过先锋作品还是实验流派，反音乐都邀请我们以不同的方式倾听，质疑我们的假设，以及欣赏声音与我们经历的千百种共鸣方式。随着我们继续在不断发展的音乐世界中航行，认识到反音乐作为艺术创新和文化话语的重要组成部分的价值至关重要。