unable-to-give way light

简明释义

不能让路信号灯

英英释义

Unable to give way light refers to a situation where something cannot yield or provide illumination, often used metaphorically to describe an inability to offer clarity or understanding.

无法提供光亮的意思是指某事物无法让步或提供照明,通常用作比喻来描述无法提供清晰或理解的情况。

例句

1.After the accident, the road was unable-to-give way light 无法放行信号 until the debris was cleared.

事故后,直到清理完杂物,道路才恢复unable-to-give way light无法放行信号

2.During the storm, the streetlights were unable-to-give way light 无法放行信号, making it difficult for pedestrians to navigate safely.

暴风雨中,街灯unable-to-give way light无法放行信号,使行人很难安全通行。

3.The construction work nearby left the area unable-to-give way light 无法放行信号, forcing detours for all vehicles.

附近的施工工作使该地区unable-to-give way light无法放行信号,迫使所有车辆绕行。

4.The traffic signal was malfunctioning, leaving drivers unable-to-give way light 无法放行信号 and causing confusion at the intersection.

交通信号灯故障,导致司机unable-to-give way light无法放行信号,在交叉口造成混乱。

5.The power outage left the entire city unable-to-give way light 无法放行信号, leading to chaos on the roads.

停电让整个城市unable-to-give way light无法放行信号,导致道路上出现混乱。

作文

In the world of art and design, light plays a crucial role in how we perceive our surroundings. It can evoke emotions, create atmospheres, and highlight the beauty of various forms. However, there are moments when the light is simply not conducive to the vision we wish to portray. This is often described as being unable-to-give way light, which refers to situations where the light is either too harsh or insufficient to illuminate the subject effectively. When we encounter this kind of light, it can be frustrating for artists and photographers alike. For instance, imagine an artist trying to capture the delicate details of a flower in full bloom. If the sunlight is too bright, it may wash out the colors, making the artwork appear flat and lifeless. On the other hand, if the light is too dim, the intricate features of the petals might remain hidden, leaving the artist feeling unable-to-give way light in their creative process. In such scenarios, the challenge lies in finding ways to manipulate the light or adjust the environment to achieve the desired effect.Photographers often face similar challenges when working outdoors. The golden hour, which occurs shortly after sunrise or before sunset, is typically considered the best time for capturing images due to the soft, warm light. However, during midday, when the sun is at its peak, photographers may find themselves unable-to-give way light that enhances their subjects. To combat this, they might use reflectors, diffusers, or even seek shade to create more favorable lighting conditions.Moreover, the concept of unable-to-give way light extends beyond just visual art. In theater, lighting designers must carefully consider how light interacts with actors and sets to convey the right mood and tone. A poorly lit scene can leave the audience confused or disengaged, highlighting the importance of achieving the perfect balance. When the lighting fails to support the narrative, the production can suffer, leaving both the cast and crew feeling unable-to-give way light that captivates the audience.In conclusion, the phrase unable-to-give way light encapsulates the struggles faced by artists, photographers, and performers when dealing with unfavorable lighting conditions. It serves as a reminder of the importance of light in our creative endeavors. Whether through natural or artificial means, understanding how to manipulate light can significantly enhance the quality of our work. Embracing the challenges presented by unable-to-give way light can lead to innovative solutions and ultimately, a deeper appreciation for the art of illumination in all its forms.

在艺术和设计的世界中,光线在我们感知周围环境中扮演着至关重要的角色。它可以唤起情感,创造气氛,并突出各种形式的美。然而,有时光线并不适合我们想要表现的视觉效果。这种情况通常被描述为unable-to-give way light,指的是光线过于刺眼或不足以有效照亮主体的情况。当我们遇到这种光线时,艺术家和摄影师都会感到沮丧。例如,想象一位艺术家试图捕捉盛开的花朵的细腻细节。如果阳光过于明亮,它可能会冲淡颜色,使作品显得平坦和缺乏生气。另一方面,如果光线过于昏暗,花瓣的复杂特征可能会隐藏起来,让艺术家在创作过程中感到unable-to-give way light。在这种情况下,挑战在于寻找方法来操控光线或调整环境,以实现所需的效果。摄影师在户外工作时也常常面临类似的挑战。黄金时段,即日出后或日落前不久,通常被认为是拍摄图像的最佳时机,因为那时光线柔和温暖。然而,在正午,当太阳达到顶峰时,摄影师可能会发现自己处于unable-to-give way light的境地,无法增强他们的主题。为了应对这种情况,他们可能会使用反射器、扩散器,甚至寻找阴凉处来创造更有利的光照条件。此外,unable-to-give way light的概念不仅限于视觉艺术。在戏剧中,灯光设计师必须仔细考虑光线如何与演员和布景互动,以传达正确的情感和基调。一个照明不当的场景可能会让观众感到困惑或失去兴趣,这突显了实现完美平衡的重要性。当照明未能支持叙事时,制作可能会受到影响,让演员和工作人员都感到unable-to-give way light,无法吸引观众。总之,短语unable-to-give way light概括了艺术家、摄影师和表演者在处理不利照明条件时所面临的挣扎。它提醒我们光线在创作事业中的重要性。无论是通过自然光还是人造光,理解如何操控光线可以显著提升我们工作的质量。接受unable-to-give way light带来的挑战可以导致创新的解决方案,并最终加深我们对各种形式的照明艺术的欣赏。