auteurist

简明释义

英[oʊˈtɜrɪst]美[oʊˈtɜrɪst]

n. （有独创风格，可与作者比肩的）电影导演（等于 auteur）

adj. 导演主创论的

英英释义

单词用法

同义词

反义词

例句

1.But it's also TV in a more modern mode: auteurist.

但它也是一种更现代的电视模式:导演主创。

2.But it's also TV in a more modern mode: auteurist.

但它也是一种更现代的电视模式:导演主创。

3.The documentary highlighted the auteurist approach of the acclaimed filmmaker.

这部纪录片突出了这位著名电影制作人的作者主义者方法。

4.Critics often debate whether a film truly represents an auteurist vision or is influenced by studio demands.

评论家们常常争论一部电影是否真正代表了作者主义者的视野，还是受到制片厂要求的影响。

5.In an auteurist analysis, the themes of the director's previous films are often explored.

在作者主义者分析中，通常会探讨导演之前电影的主题。

6.Many auteurist filmmakers focus on personal storytelling in their works.

许多作者主义者电影制作人专注于在作品中讲述个人故事。

7.The film critic described the director as an auteurist, emphasizing his unique vision and style.

这位电影评论家将导演称为作者主义者，强调了他独特的视野和风格。

作文

The term auteurist refers to a film theory that emphasizes the director as the primary creative force behind a film. This concept emerged in the 1950s and 1960s, particularly within the context of French cinema, where directors were seen not just as technicians but as artists with a unique vision. The auteurist perspective posits that a film should reflect the personal style and thematic preoccupations of its director, much like how a painter's work showcases their individual artistic fingerprint.In the realm of cinema, the auteurist approach allows audiences to engage with films on a deeper level. It encourages viewers to analyze the recurring motifs, stylistic choices, and narrative structures that characterize a director's body of work. For instance, when watching a film by Alfred Hitchcock, one might notice his penchant for psychological tension and suspense, which are hallmarks of his directing style. Similarly, the works of directors like Martin Scorsese or Quentin Tarantino often reveal distinct storytelling techniques and thematic explorations that resonate with their personal experiences and artistic philosophies.Critics of the auteurist theory argue that it can lead to an oversimplification of the filmmaking process. They contend that focusing solely on the director overlooks the collaborative nature of cinema, which involves writers, producers, editors, and many other talented individuals. While it is undeniable that the director plays a crucial role, the final product is often a result of teamwork and shared vision. Thus, some believe that the auteurist lens may diminish the contributions of other essential crew members.Despite these criticisms, the auteurist framework remains influential in film studies and criticism. It has paved the way for a greater appreciation of the director's artistic contributions and has helped elevate the status of filmmakers as cultural figures. Through this lens, audiences are encouraged to seek out films that challenge conventional narratives and explore complex themes, ultimately leading to a richer cinematic experience.Moreover, the auteurist theory has also influenced the way films are marketed and discussed in popular culture. Filmmakers who are recognized as auteurs often attract dedicated fan bases, and their films are frequently analyzed and debated among critics and scholars. This phenomenon has led to a resurgence of interest in classic films, as well as a newfound appreciation for contemporary directors who embody the auteurist spirit.In conclusion, understanding the auteurist perspective is essential for anyone interested in film as an art form. It allows viewers to appreciate the nuances of a director's vision and the ways in which their personal experiences shape the stories they tell. While it is important to acknowledge the collaborative nature of filmmaking, the auteurist approach offers valuable insights into the creative process and the significance of individual artistry in cinema. As we continue to explore the world of film, embracing the auteurist perspective can enrich our understanding and enjoyment of this dynamic medium.

词语auteurist指的是一种电影理论，强调导演是电影背后的主要创造力量。这个概念出现在20世纪50年代和60年代，特别是在法国电影的背景下，导演被视为不仅仅是技术人员，而是具有独特视野的艺术家。auteurist的观点认为，一部电影应当反映导演的个人风格和主题关注，就像画家的作品展示他们独特的艺术指纹一样。在电影领域，auteurist的方法让观众能够更深层次地与电影互动。它鼓励观众分析导演作品中反复出现的主题、风格选择和叙事结构。例如，当观看阿尔弗雷德·希区柯克的电影时，人们可能会注意到他对心理紧张和悬念的偏爱，这些都是他导演风格的标志。同样，马丁·斯科塞斯或昆汀·塔伦蒂诺的作品常常揭示出独特的叙事技巧和主题探索，这些都与他们的个人经历和艺术哲学产生共鸣。auteurist理论的批评者认为，这可能导致对电影制作过程的过度简化。他们主张，单纯关注导演忽视了电影的协作性质，电影制作涉及编剧、制片人、剪辑师和许多其他人才。虽然毫无疑问，导演发挥着至关重要的作用，但最终产品往往是团队合作和共同愿景的结果。因此，有人认为auteurist的视角可能会削弱其他重要工作人员的贡献。尽管存在这些批评，auteurist框架在电影研究和批评中仍然具有影响力。它为人们更好地欣赏导演的艺术贡献铺平了道路，并帮助提升了电影制作人作为文化人物的地位。通过这一视角，观众被鼓励寻找挑战传统叙事和探索复杂主题的电影，最终导致更丰富的电影体验。此外，auteurist理论也影响了电影在流行文化中的市场营销和讨论方式。被认可为作者的电影制作人通常吸引忠实的粉丝群体，他们的电影经常在评论家和学者之间进行分析和辩论。这一现象导致对经典电影的重新关注，以及对当代体现auteurist精神的导演的新欣赏。总之，理解auteurist的视角对于任何对电影作为艺术形式感兴趣的人来说都是必不可少的。它让观众欣赏导演视野的细微差别，以及他们的个人经历如何塑造他们讲述的故事。虽然承认电影制作的协作性质很重要，但auteurist方法提供了对创作过程的宝贵见解，以及个人艺术性在电影中的重要性。随着我们继续探索电影世界，接受auteurist的视角可以丰富我们对这一动态媒介的理解和享受。