polyphonic
简明释义
英[ˌpɒliˈfɒnɪk]美[ˌpɑːliˈfɑːnɪk]
adj. 多音的;有韵律变化的;对位法的
英英释义
单词用法
复调音乐 | |
多声部织度 | |
多声部作品 | |
多声部唱法 | |
多声部和声 | |
多声部乐器 |
同义词
多声部的 | 合唱团演唱了这首歌的多声部编曲。 | ||
和谐的 | 乐器的和谐融合创造了丰富的音色。 | ||
多部分的 | 作曲家为管弦乐队创作了一首多部分的作品。 |
反义词
例句
1.Now we're going to turn — focus a bit more on polyphonic texture because there are two types of polyphonic texture.
现在我们要把注意力,放到复音织体上,因为有两种复音织体。
2.Let's listen to the end of the polyphonic texture, then Beethoven, and we'll stop with this.
我们来听完这段复音织体,贝多芬,我们多说一点。
3.She had a miraculous quality of touch, a seemingly autonomous left hand; no artist in her generation could clarify with such deftness the polyphonic writing of the Baroque masters.
她有一种神奇的触觉,似乎是一个自主的左手;在她那一代人中,没有哪位艺术家能如此娴熟地阐释巴洛克大师们的复调写作。
4.These polyphonic combinations of mappings are a good first step in creating music from CAs.
这些映射的复音组合是用CA创作音乐的很好的第一步。
5.The author intends to inquire into the equilibrium of chorus sound relevant to homophonic works of chorus and polyphonic works of chorus.
拟就有关主调性合唱作品与复调性合唱作品的合唱音响平衡问题进行探讨。
6.Polyphonic theory and poetic language constitute two of the major concerns in the 20th century western literary criticism.
复调理论与诗性语言是2 0世纪西方文学理论中的两个重要内容。
7.Any of several types of vocal polyphonic music, in two, three, or four parts, of the9th to the early13th century.
风琴持续音部指9世纪到13世纪早期的几种复合声乐中的一种。
8.The author intends to inquire into the equilibrium of chorus sound relevant to homophonic works of chorus and polyphonic works of chorus.
拟就有关主调性合唱作品与复调性合唱作品的合唱音响平衡问题进行探讨。
9.Many Baroque compositions are characterized by their polyphonic structures.
许多巴洛克作品的特点是它们的多声部结构。
10.The choir performed a beautiful polyphonic arrangement that showcased the harmony of different voices.
合唱团演唱了一首美丽的多声部编曲,展示了不同声音的和谐。
11.The composer is known for his polyphonic style, which intricately weaves together various musical lines.
这位作曲家以其多声部风格而闻名,该风格巧妙地将各种音乐线条编织在一起。
12.In music theory, polyphonic textures involve multiple independent melodies occurring simultaneously.
在音乐理论中,多声部织度涉及多个独立旋律同时发生。
13.During the concert, the polyphonic nature of the piece captivated the audience.
在音乐会上,这首作品的多声部特性吸引了观众。
作文
The term polyphonic refers to a musical texture that consists of multiple independent melodies being played or sung simultaneously. This concept is not only limited to music but can also be applied to various forms of art and literature, where multiple voices or perspectives coexist. Understanding polyphonic structures can enrich our appreciation of creativity in different domains.In music, polyphonic compositions are often characterized by their complexity and richness. One of the most notable examples of polyphonic music is the works of Johann Sebastian Bach. His fugues and canons exemplify how different melodic lines can interact with each other, creating a harmonious yet intricate sound. The beauty of polyphonic music lies in its ability to weave together distinct lines that complement one another while maintaining their individuality. This interplay of voices allows listeners to experience a depth of emotion and complexity that is often absent in monophonic music, which features a single melody without accompaniment.Beyond music, the idea of polyphonic can be applied to literature as well. In literary theory, a polyphonic narrative presents multiple viewpoints, allowing readers to engage with the text on various levels. For instance, Fyodor Dostoevsky's novels often feature a polyphonic style, where characters express their unique thoughts and feelings, contributing to a broader commentary on society and human nature. This multiplicity of voices invites readers to consider different perspectives and encourages a more profound understanding of the themes presented.In visual art, the concept of polyphonic can manifest through the use of contrasting elements, colors, or styles that coexist within a single piece. Artists like Pablo Picasso and Wassily Kandinsky created works that embody polyphonic principles by combining various shapes and forms, leading to a dynamic visual experience. Just as in music and literature, the interaction of these elements creates a dialogue within the artwork, engaging viewers and prompting them to explore the connections between the disparate parts.The significance of polyphonic structures extends beyond the realm of art; it reflects the complexity of human experience itself. In our daily lives, we often navigate multiple roles and relationships, each with its own set of expectations and dynamics. Embracing a polyphonic approach to life means recognizing the richness that comes from diverse experiences and perspectives. It encourages us to listen to others and appreciate the myriad ways in which people express themselves.In conclusion, the concept of polyphonic transcends the boundaries of music, literature, and art, offering a framework for understanding the interconnectedness of ideas and experiences. By exploring polyphonic structures, we can deepen our appreciation for creativity and the complexities of life. Whether through the intertwining melodies of a Bach fugue, the diverse voices in a Dostoevsky novel, or the contrasting elements in a Picasso painting, the polyphonic nature of art and existence invites us to celebrate the beauty of multiplicity in all its forms.
“多声部”的术语指的是一种音乐结构,由多个独立的旋律同时演奏或演唱。这个概念不仅限于音乐,还可以应用于各种艺术和文学形式,在这些形式中,多个声音或视角共存。理解“多声部”结构可以丰富我们对不同领域创造力的欣赏。在音乐中,“多声部”作品通常以其复杂性和丰富性为特征。约翰·塞巴斯蒂安·巴赫的作品就是“多声部”音乐的一个显著例子。他的赋格曲和卡农展示了不同旋律线如何相互作用,从而创造出和谐而复杂的声音。“多声部”音乐的美在于它能够编织独特的旋律线,这些旋律线彼此补充,同时保持各自的个性。这种声音之间的互动使听众能够体验到一种情感和复杂性的深度,而这种深度在单音音乐中往往是缺失的,单音音乐只有一条旋律,没有伴奏。除了音乐,polyphonic这一概念也可以应用于文学。在文学理论中,多声部叙事呈现多种观点,让读者在不同层面上与文本进行互动。例如,陀思妥耶夫斯基的小说常常采用多声部风格,角色表达他们独特的思想和感受,为社会和人性做出更广泛的评论。这种声音的多样性邀请读者考虑不同的视角,并鼓励更深刻地理解所呈现的主题。在视觉艺术中,“多声部”的概念可以通过在一件作品中共存的对比元素、颜色或风格体现出来。像巴勃罗·毕加索和瓦西里·康丁斯基这样的艺术家创作的作品体现了“多声部”原则,通过结合各种形状和形式,带来了动态的视觉体验。正如在音乐和文学中一样,这些元素的互动在艺术作品中创造了一种对话,吸引观众并促使他们探索不同部分之间的联系。“多声部”结构的重要性超越了艺术领域;它反映了人类经验的复杂性。在我们的日常生活中,我们常常需要应对多重角色和关系,每个角色和关系都有其自身的期望和动态。接受“多声部”的生活方式意味着认识到多样化经验和视角所带来的丰富性。它鼓励我们倾听他人,欣赏人们表达自己的多种方式。总之,“多声部”的概念超越了音乐、文学和艺术的界限,为理解思想和经验的相互联系提供了框架。通过探索“多声部”结构,我们可以加深对创造力和生活复杂性的欣赏。无论是通过巴赫赋格的交织旋律、陀思妥耶夫斯基小说中的多样声音,还是毕加索画作中的对比元素,“多声部”艺术和存在的本质邀请我们庆祝所有形式的多样性之美。