woodblock

简明释义

英[ˈwʊdblɒk]美[ˈwʊdblɑːk]

n. 木版；木板

adj. 木板的；木版印刷的

英英释义

单词用法

同义词

反义词

例句

1.This particular woodblock is one of the most recognized works of Japanese art in the world.

《神奈川冲浪里》，日本浮世绘技法和风格的扛鼎之做，世界美术史的重要组成部分。

2.Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles.

木板水印是一种印刷文字和图案的技术，广泛应用于东亚地区，起源于中国古代，是一种在纺织物上进行印刷的方式。

3.The exhibition includes a number of examples from his most recent series of ink paintings titled 'Utopia', and a handful of woodblock prints.

展览包括他最近的作品水墨画“乌托邦”系列和一些木版画。

4.Furthermore, he made use of the techniques of woodblock prints which allow for differences in intensity and shade of colour creating highlight and contrast.

他在剪纸中创新性地运用木版印刷的技法，取得更丰富的层次感和对比度。

5.THE cover is a cliché: a frothy crested wave with Mount Fuji in the background. Emblazoned on the image of Hokusai’s woodblock print from the 1830s are the words “This is Japan” and “1958”.

这本期刊的封面是铜版印刷，以富士山为背景的翻腾的海浪——十八世纪三十年代画家葛饰北斋的版画——上面衬着这几个字：“ThisisJapan”和“1958”。

6.The research is to study the172 woodblock-printing books in Song Dynasty, which are collected by the National Library, and find out the varieties and meanings of Yuwei.

本研究以国家图书馆之172部宋代雕版书籍为主要对象，期望理出古书“尾”形之种类和意义。

7.The ancient books obvious local characteristics, woodblock print, Taoyin Ben, movable, script, transcripts and other types are rich.

安徽地方特色明显，刻本、套印本、活字本、稿本、写本、抄本等种类丰富，善本、孤本在全国占有一定地位。

8.There're sculptures and woodblock prints in the exhibition.

展出的有雕塑和木刻。

9.The technologies most used for reproduction of Chinese ancient books on Xuan paper such as digital ink jet, woodblock watermark, collotype and screen print were compared and analyzed.

系统分析比较了数码喷墨、木版水印、珂罗版复制、丝网印刷等当前宣纸古籍复制主流技术；

10.The museum displayed several ancient woodblock 木刻版 prints from the Edo period.

博物馆展出了几幅来自江户时代的古老木刻版印刷品。

11.She used a vibrant ink to bring her woodblock 木刻版 prints to life.

她使用鲜艳的墨水使她的木刻版印刷作品栩栩如生。

12.The artist carefully carved the design into the woodblock 木刻版 before printing.

艺术家在打印之前小心地将设计雕刻到木刻版上。

13.To create a woodblock 木刻版, you need a piece of wood and some sharp tools.

要制作一个木刻版，你需要一块木头和一些锋利的工具。

14.In traditional Japanese art, woodblock 木刻版 printing is a revered technique.

在传统日本艺术中，木刻版印刷是一种受尊敬的技艺。

作文

The art of printing has evolved tremendously over the centuries, but one of the oldest techniques still holds a special place in the hearts of artists and historians alike: the use of woodblock printing. This traditional method involves carving an image into a block of wood, applying ink to the raised surface, and then pressing it onto paper or fabric to create a print. The process is not only a testament to human creativity but also a reflection of cultural heritage across various civilizations.Historically, woodblock printing originated in China during the Tang Dynasty (618–907 AD) and was primarily used for printing texts. The technique spread throughout Asia and eventually reached Europe, where it played a crucial role in the dissemination of knowledge during the Renaissance. Artists such as Albrecht Dürer mastered the craft, producing intricate prints that showcased both artistic skill and technical precision.One of the most fascinating aspects of woodblock printing is the labor-intensive process involved in creating each print. The artist must first select a suitable piece of wood, often cherry or pear, due to their fine grain and durability. After sketching the desired image onto the wood, the artist meticulously carves away the negative space, leaving the design raised. This requires not only skill but also patience, as each cut must be deliberate to ensure the final print accurately reflects the intended image.Once the carving is complete, the artist applies ink to the raised areas of the woodblock using a brayer or brush. The ink must be evenly distributed to avoid uneven prints. Next, the artist places a sheet of paper on top of the inked block and applies pressure, either by hand or with a printing press. The result is a striking image that captures the essence of the original design. In contemporary times, woodblock printing has seen a resurgence among artists who appreciate its unique aesthetic and tactile qualities. Many modern artists experiment with this ancient technique, combining it with other forms of printmaking or incorporating it into mixed media artworks. The imperfections inherent in woodblock prints add character and charm, making each piece distinct.Furthermore, woodblock printing serves as a reminder of the importance of traditional craftsmanship in an age dominated by digital technology. As we become increasingly reliant on machines and screens, the tactile nature of woodblock printing invites us to slow down and appreciate the artistry involved in creating something by hand. It encourages a deeper connection to the materials and the process, fostering a sense of mindfulness in our fast-paced lives.In conclusion, woodblock printing is not merely a historical artifact; it is a living tradition that continues to inspire artists around the world. Its rich history, intricate process, and unique results make it a captivating subject for both study and practice. As we explore the realms of art and printing, let us not forget the beauty and significance of woodblock printing, a technique that bridges the past with the present, reminding us of the enduring power of creativity and craftsmanship.

印刷艺术在几个世纪中经历了巨大的演变，但其中一种古老的技术仍然在艺术家和历史学者的心中占据着特殊的位置：使用木版印刷。这种传统方法涉及将图像雕刻到一块木头上，将墨水涂抹到凸起的表面，然后将其压在纸张或织物上以创建印刷品。这一过程不仅是人类创造力的证明，也是各个文明文化遗产的反映。历史上，木版印刷起源于中国的唐朝（618-907年），最初主要用于印刷文本。这项技术传播到亚洲各地，最终传入欧洲，在文艺复兴时期对知识的传播发挥了至关重要的作用。艺术家如阿尔布雷希特·丢勒掌握了这一技艺，制作出精美的版画，展示了艺术技巧和技术精度。木版印刷最迷人的方面之一是制作每个印刷品所需的劳动密集型过程。艺术家首先必须选择一块合适的木材，通常是樱桃木或梨木，因为它们的纹理细腻且耐用。在木头上草绘出所需的图像后，艺术家仔细雕刻出负空间，留下凸起的设计。这不仅需要技巧，还需要耐心，因为每一刀都必须谨慎，以确保最终的印刷品准确反映出预期的图像。一旦雕刻完成，艺术家就会使用滚筒或刷子将墨水涂抹到木版的凸起部分。墨水必须均匀分布，以避免不均匀的印刷。接下来，艺术家将一张纸放在涂有墨水的版块上，并施加压力，可以通过手工或使用印刷机来完成。结果是一个引人注目的图像，捕捉了原始设计的本质。在当代，木版印刷在欣赏其独特美学和触感品质的艺术家中重新焕发活力。许多现代艺术家尝试这种古老的技术，将其与其他形式的印刷结合或融入混合媒体艺术作品中。木版印刷固有的不完美性为每件作品增添了个性和魅力，使其独一无二。此外，木版印刷提醒我们在一个机器和屏幕主导的时代传统工艺的重要性。随着我们日益依赖机器和屏幕，木版印刷的触觉特性邀请我们放慢脚步，欣赏手工创作的艺术性。它鼓励我们与材料和过程建立更深的联系，培养我们在快节奏生活中的一种正念感。总之，木版印刷不仅仅是历史遗物；它是一种活生生的传统，继续激励着世界各地的艺术家。它丰富的历史、复杂的过程和独特的结果使其成为研究和实践的迷人主题。在探索艺术和印刷的领域时，让我们不要忘记木版印刷的美丽和重要性，这种技术架起了过去与现在的桥梁，提醒我们创造力和工艺的持久力量。